Three flowers go into each of these an orange aster, a sprig of Queen Anne’s lace, and a few yellow blooms scattered between them. Queen Anne’s lace is the tricky one: it dries into a fine, almost skeletal spray, and it has to be handled carefully to keep those thin stems intact. Set against ivory resin with copper flecks running through it, the whole arrangement looks a bit like a flower bed viewed from above.
The frame is golden oxidised metal, cut into a diamond shape with a beaded filigree edge along the border. A small round stud sits at the ear, and below the panel there’s a fringe of deep maroon glass beads and pearls, with a proper little jhumka bell hanging at the centre. That bell is what gives the earring its weight and swing.
Gold and maroon puts these squarely in wedding-and-festival territory a Banarasi, a maroon or mustard kurta, anything with zari work. They also sit well against plain black or cream if you want the earrings doing all the talking.
No two panels dry out identically the lace spreads a little differently each time, the aster sits at its own angle, and the copper flecks in the resin settle wherever they land during pouring. Treat the photos as a close guide rather than an exact match.
Product Specifications:
Flowers : Preserved real Aster and Queen anne’s lace
Materials : Clear resin, Real dried flowers and Golden oxidised base
Please note : The flowers you receive in your order may not be exactly the same shape as shown in the images, as each flowers are naturally different and beautifully unique. The images are shared as a reference to give you an overall idea of the design.